A Traveler’s Guide is an experimental documentary that shows, in fragmented observations, the gaze of a filmmaker who travels the world. A reflection on tourism, loneliness, inequality and our relationship with animals and our planet.
‘a Traveler’s Guide’ is a 70 minute experimental documentary made from footage that a filmmaker shot on his travels over a period of 8 years. One day he wrote in his private journal: “I wish I was invisible, without my own presence ruining everything.” The fragmented observations and interactions of the filmmaker reflect and comment in a visual way; contemplating on life, tourism, loneliness, inequality and our relationship with animals and our planet. Just like the filmmaker, this edit travels around the world in a way we can observe her beauty in an unpolished and raw way, accompanied by the melancholic lightness of life itself.
Director Ton van Zantvoort (1979)
SHEEP HERO, 81 min, 2018
THE BENNO TAPES, 54 min, 2015
Kees en Mien, 30 min, 2011
a BLOOMING BUSINESS, 52 min, 2009
GRITO de PIEDRA, 55 min, 2006
other films: Past as future, 18 min, 2011; Lovely Planet, 8 min, 2009; Carrousel, 7 min, 2010; Another day in Bombay, 10 min, 2007; Isla Totora, 10 min, 2007; Pack, 5 min, 2005; Moja Mbegu, 5 min, 2004; Items, 25 min, 2003, Khamuvillage, 25 min, 2003
Ton van Zantvoort (Heesch, 1979) is an acclaimed director, cinematographer and editor, whose films have screened at numerous prestigious A- film festivals. His work has been broadcast all over the world and he has won a dozen awards for best director, best cinematographer and best editor.
Director Josefien van Kooten (1984)
2020 Documentary (26 min):’HONDS‘
2016 Documentary (25min):’Good People’ (co-director Anna Witte)
2014 Documentary (26 min): ‘Polish for Beginners’ (co-director Anna Witte)
2011 Documentary (27 min): ‘All the Pretty Little Horses’ (graduate film)
Josefien van Kooten started her study in the fine arts department of the St. Joost Academy of Breda in The Netherlands. After two years she switched to the film department and focused on the art of documentary making. Her work shows the free approach of an artist, but also the will to tell a story that is important to her, and the world. In her films Josefien always takes on a very unique and personal view with a deep connection to social matters. Her work shows a love for philosophy which, for her, is in the beauty of always seeing the duality in the world that never fits a ready made answer.
10 years ago I (Ton) traveled the world trying to make a film about the impact of tourism worldwide. It was supposed to be my big break through, but it was too ambitious and I never got funding. Instead of stopping, I stubbornly continued filming on my own. After years of filming in various places in the world, I had to stop putting my savings into this project. For years it haunted me. I had just hidden these feelings of guilt, when Josefien came across my path and suggested to work with the material I shot.
When I (Josefien) first saw the material I was attracted to the material and touched by it. The material was not always ‘perfect’, but full of a searching and astonishing quality, which I love. It reminded me of movies I admired and was inspired by. For example: Boris Mitic’s ‘Goodbye, How Are You’ and Chris Marker’s ‘Sans Soleil’. I saw poetry in the sincere look that wanted to tell something and at the same time always open to the amazement and reality of the moment. During the last year and a half Ton’s material seemed to become ore and more relevant due to the Corona outbreak. Looking at the masses of tourists on all the different places at a time nobody was allowed to travel became even more surreal. Also the strong focus on animals, that are given less and less space to exist in our current world became more relevant than ever. I started editing the images in a film as I envisioned it: a fragmented, poetic reflection on tourism that brings out the inherent inequality of existence in an everyday way.